Halo Drift
A salvage pilot working the wreckage of a colony war stumbles on an AI core that remembers a future no one has lived yet. Shot anamorphic on the Pacific salt flats.

Blade Runner
A burnt-out cop is dragged back to hunt four replicants on the rain-slick streets of 2019 Los Angeles — and discovers what it costs to decide who counts as human.
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Cyberpunk, space opera, hard sci-fi, alien horror, dystopia. Explore science fiction across big-budget spectacles and independent discoveries. Find a film, meet its creators, and watch the trailer.
Tonight's reel from the booth — what we'd queue up first if you only stayed for one feature.
A new blade runner uncovers a secret that could break what's left of society. Roger Deakins' camera turns Los Angeles into a smog-choked oil painting and Hans Zimmer's score rattles the room. The picture that proved cerebral sci-fi can still fill an IMAX — and the one we'd thread up first if you only stayed for one feature.
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"Every studio told me a practical-effects first-contact picture shot on 35mm was too strange for their lineup. Planet Sci-Fi was the only place that said, 'build the creature, light it stranger, and keep the ideas in.'"
A preview of the original science fiction storytelling we hope to bring to audiences. These illustrative projects are not confirmed programming.
A salvage pilot working the wreckage of a colony war stumbles on an AI core that remembers a future no one has lived yet. Shot anamorphic on the Pacific salt flats.
2087. A neon-drowned megacity. A courier with a head full of stolen memory has eighteen hours to deliver before her own mind is overwritten. Cyberpunk noir on 35mm.
A deep-space comms engineer alone on a dead-quiet array starts hearing the voices of the crew who vanished a hundred years before her shift. A slow, cosmic-horror sci-fi.
Demo preview — project titles, creators and release windows are illustrative, not confirmed productions or streaming availability.
Practical effects unit shot the canyon attack tonight — a 14-foot puppet rig, four operators, no CGI. Dust, hydraulic oil, and one very startled wrangler. The dailies look like 1957 in the best possible way.
Final cut delivered to scoring. We've handed it to a four-piece theremin-and-Hammond ensemble for the score — the whole second act is going to sound like 1957 staring up at the night sky.
Sound team rebuilt the original optical track from a single surviving studio reel. Bacharach's theme has never sounded this clean coming out of a speaker pole.
Locked the 102-minute cut for the Saturn Awards screener. Submitting next month to Fantastic Fest, Sitges, and a midnight slot at the Sci-Fi Academy Awards.
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